The dramatic core of Hasta La Próxima is the physical and psychological manipulation occurring in a group of individuals who repeatedly leave each other and come back together. In this quartet, Quijada continued to explore the integration of a powerful theatricality into his unique style.
The premiere of Hasta La Próxima, part of the Danses Urbaines series in Montreal, took place at Espace Tangente in October 2002.
Coproduced by RUBBERBAND and Espace Tangente.